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アルバム情報

カタログ番号
8.558040-46
CD発売時期
2002年11月
資料
ジャンル
朗読
カテゴリ
音楽教育
アーティスト
ジェレミー・シープマン Jeremy Siepmann

オーケストラの楽器(シープマン)

Instruments of the Orchestra (The) (Siepmann)

このページのURL
https://ml.naxos.jp/album/8.558040-46

全トラック選択/解除

Disc 1

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  Wagner: Tannhauser: Overture
1.

-

**:**
»  Anonymous: Domna, pos vos ay chausida
2.

-

**:**
»  We don't merely use instruments, we play on them. And they play on us.
3.

-

**:**
»  Brahms: Hungarian Dance No. 7
4.

-

**:**
»  The violin is one of the most tender and beautiful instruments ever invented.
5.

-

**:**
»  Brahms: Violin Concerto in D Major: II. Adagio
6.

-

**:**
»  But for a long time it was seen as the instrument of the devil.
7.

-

**:**
»  Stravinsky: The Soldier's Tale: Triumphal March of the Devil
8.

-

**:**
»  The manipulative seductiveness of the gypsy violin
9.

-

**:**
»  Anonymous: Csardas Music
10.

-

**:**
»  The violin and the imitation of nature
11.

-

**:**
»  Vivaldi: The Four Seasons: Spring: I. Allegro
12.

-

**:**
»  Birds are again evoked in the second concerto, especially music's natural favourite.
13.

-

**:**
»  Vivaldi: The Four Seasons: Summer: I. Allegro non molto
14.

-

**:**
»  Like the devil, the violin is a master of disguise.
15.

-

**:**
»  Kreisler: Schon Rosmarin
16.

-

**:**
»  The menacing sensuality of Ravel's Tzigane; a very different side of the violin:
17.

-

**:**
»  Ravel: Tzigane
18.

-

**:**
»  Do we now have the true measure of this instrument? Not just yet.
19.

-

**:**
»  Paganini: Caprice No. 24
20.

-

**:**
»  Bach: Brandenburg Concerto No. 4: III. Presto / Schubert: Quartettsatz in C Minor
21.

-

**:**
»  Britten: Variations on a Theme of Frank Bridge: VIII. Moto Perpetuo
22.

-

**:**
»  Prokofiev's tremolo in Romeo and Juliet should not be heard just before bedtime
23.

-

**:**
»  Prokofiev: Romeo and Juliet: Act IV
24.

-

**:**
»  Vivaldi uses it to illustrate the shivering of travellers crossing the ice.
25.

-

**:**
»  Vivaldi: The Four Seasons: Winter: I. Allegro non molto
26.

-

**:**
»  The violin muted
27.

-

**:**
»  Debussy: Clair de lune
28.

-

**:**
»  The gentleness of muted strings persists even when a whole orchestra plays.
29.

-

**:**
»  Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante
30.

-

**:**
»  The pizzicato violin
31.

-

**:**
»  Strauss: Pizzicato Polka
32.

-

**:**
»  In Prokofiev's Second Violin Concerto, the accompaniment is pizzicato.
33.

-

**:**
»  Prokofiev: Violin Concerto No. 2 in G Minor: II. Andante assai
34.

-

**:**
»  Kabalevsky: Colas Breugnon / Warlock: Capriol Suite: III. Tordion / Prokofiev: Romeo and Juliet: Act I
35.

-

**:**
»  Holst: The Planets: I. Mars: The Bringer of War
36.

-

**:**
»  Bach: Sonata No. 3 in C Major for unaccompanied violin: II. Fugue
37.

-

**:**
»  Brahms: Hungarian Dance No. 4
38.

-

**:**
»  Double-stopping is a standard feature of a lot of folk music.
39.

-

**:**
»  Vivaldi: The Four Seasons: Autumn: I. Allegro
40.

-

**:**
»  Now the same technique, but the sound might have come from another world.
41.

-

**:**
»  Ravel: Bolero
42.

-

**:**
»  Double-stopping can only approximate the sound of a real violin duet.
43.

-

**:**
»  Joachim: Cadenza to the Violin Concerto by Brahms
44.

-

**:**
»  Now compare that with a real violin duet.
45.

-

**:**
»  Bartok: 44 Duos: I. Teasing Song
46.

-

**:**
»  Another duo by Bartok, demonstrating the violin's rich lower register
47.

-

**:**
»  Bartok: 44 Duos: II. Maypole Dance
48.

-

**:**
»  And now what may be the most beautiful accompanied violin duet in history
49.

-

**:**
»  Bach: Concerto in D Minor for two violins: II. Largo ma non tanto
50.

-

**:**
»  The soul of the violin is in song; but what about this weird passage?
51.

-

**:**
»  Prokofiev: Violin Concerto No. 1 in D Major: II. Scherzo
52.

-

**:**
»  The use of harmonics in the orchestra can be both magical and unsettling.
53.

-

**:**
»  Mahler: Symphony No. 1, "Titan": I. Langsam, schleppend (opening)
54.

-

**:**
»  Tchaikovsky's use of harmonics in The Sleeping Beauty is both strange and daring.
55.

-

**:**
»  Tchaikovsky: The Sleeping Beauty: Act II, No. 15: Entr'acte
56.

-

**:**
»  Ravel's harmonics in Mother Goose effect a magical transformation.
57.

-

**:**
»  Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
58.

-

**:**
»  Stravinsky: The Firebird: Introduction
59.

-

**:**
»  The natural upper notes of the violins have a unique emotional "grab"
60.

-

**:**
»  Strauss: Also sprach Zarathustra: Of the Afterworldsmen
61.

-

**:**
»  Still in their upper register, the violins unleash the energy of a young colt.
62.

-

**:**
»  Britten: Variations on a Theme of Frank Bridge: V. Aria Italiana
63.

-

**:**
»  Elsewhere, Britten uses the same high register to create a very different mood.
64.

-

**:**
»  Britten: Peter Grimes: 4 Sea Interludes, Op. 33a: I. Dawn
65.

-

**:**
»  To end this outing with the violins, a charming little elfin dance
66.

-

**:**
»  Hellmesberger: Elfenreigen
67.

-

Disc 2

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  Introduction to the viola
1.

-

**:**
»  Telemann: Viola Concerto: I. Largo
2.

-

**:**
»  Khachaturian gets a very different sound from it: fuller, fruitier, more exotic.
3.

-

**:**
»  Khachaturian: Gayane Suite No. 1: III. Armen's Solo
4.

-

**:**
»  Very nearly the whole of the violin's upper register is also available to the viola.
5.

-

**:**
»  Britten: Peter Grimes: Passacaglia, Op. 33b
6.

-

**:**
»  Strauss: Don Quixote
7.

-

**:**
»  Berlioz: Harold in Italy: IV. Orgy of Brigands
8.

-

**:**
»  The muted viola: intimate, gentle, poignant in Dvorak
9.

-

**:**
»  Dvorak: Cypresses: IX. Thou Only Dear One
10.

-

**:**
»  The massed violas of the modern symphony orchestra in Mahler
11.

-

**:**
»  Mahler: Symphony No. 4: III. Ruhevoll, poco adagio
12.

-

**:**
»  The "period" viola in Bach
13.

-

**:**
»  Bach: Brandenburg Concerto No. 6: III. Allegro
14.

-

**:**
»  The cello: a voice of unique nobility
15.

-

**:**
»  Bach: Suite No. 1 for unaccompanied cello: I. Prelude
16.

-

**:**
»  Brahms and the "soul" of the cello
17.

-

**:**
»  Brahms: Piano Concerto No. 2 in B-Flat Major: III. Andante
18.

-

**:**
»  Most orchestral composers tend to emphasise the cello's lower register.
19.

-

**:**
»  Bach: Herz und Mund und Tat und Leben, BWV 147: Aria: Bereite dir, Jesu
20.

-

**:**
»  In the time of Beethoven the cello remained as fundamental as ever.
21.

-

**:**
»  Beethoven: Symphony No. 3 "Eroica": IV. Finale
22.

-

**:**
»  But the cello is not condemned to spend its life in the basement.
23.

-

**:**
»  Popper: Elfentanz, Op. 39
24.

-

**:**
»  Not only in recital showpieces like that is the cello used in its highest register.
25.

-

**:**
»  Tavener: The Protecting Veil: opening
26.

-

**:**
»  A cello with an identity-crisis: the pizzicato Flamencan
27.

-

**:**
»  Tagell: Flamenco
28.

-

**:**
»  Double-stopping in the lower reaches of the cello's range
29.

-

**:**
»  Cassado: Solo Suite for Cello and Piano: Sardana
30.

-

**:**
»  It's in its middle register that the cello really comes into its own.
31.

-

**:**
»  Rachmaninov: Oriental Dance, Op. 2, No. 2
32.

-

**:**
»  Beethoven: Symphony No. 5: II. Andante con moto
33.

-

**:**
»  Beethoven: Symphony No. 9: IV. Finale
34.

-

**:**
»  Introduction to the double-bass
35.

-

**:**
»  Saint-Saens: The Carnival of the Animals: The Elephant
36.

-

**:**
»  But the double-bass can be intensely expressive and graceful.
37.

-

**:**
»  Bottesini: Elegy No. 1 in D Major
38.

-

**:**
»  Bottesini: Allegro di concerto, "Alla Mendelssohn"
39.

-

**:**
»  Bottesini: Capriccio di bravura
40.

-

**:**
»  Mahler: Symphony No. 1, "Titan": III. Feierlich und gemessen, ohne zu schleppen / Mahler: Symphony No. 3: I. Kraftig
41.

-

**:**
»  Prokofiev: Lieutenant Kije Suite: III. Kije's Wedding / Prokofiev: Romeo and Juliet: Act III
42.

-

**:**
»  Beethoven: Symphony No. 5: III. Allegro
43.

-

Disc 3

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  The antiquity and magic of the flute
1.

-

**:**
»  Debussy: Prélude à l'après-midi d'un faune
2.

-

**:**
»  The versatility and agility of the flute
3.

-

**:**
»  Bach: Orchestral Suite No. 2 in B Minor: VII. Badinerie
4.

-

**:**
»  The flute in fifteenth-century Spain
5.

-

**:**
»  Anonymous: Sa'dawi
6.

-

**:**
»  Other flutes: the bass and alto
7.

-

**:**
»  Sallinen: Chamber Music II
8.

-

**:**
»  The Piccolo - aptly named
9.

-

**:**
»  Rameau: La Naissance d'Osiris: VI. Premier et deuxieme tambourin
10.

-

**:**
»  From a piccolo of the eighteenth century to one of its descendants in the twentieth
11.

-

**:**
»  Stravinsky: Suite No. 2 for Small Orchestra: II. Valse
12.

-

**:**
»  A variety of techniques
13.

-

**:**
»  Sallinen: Chamber Music II
14.

-

**:**
»  Flutter-tonguing. But Tchaikovsky got there eighty years before.
15.

-

**:**
»  Tchaikovsky: The Nutcracker: Act II, No. 2: Scene
16.

-

**:**
»  From the transverse to the vertical: the Baroque recorder
17.

-

**:**
»  Telemann: Recorder Suite in A Minor: Menuet II
18.

-

**:**
»  An unfamiliar, early vision of the instrument
19.

-

**:**
»  Baston: Naelden, Naelden
20.

-

**:**
»  The Bachian oboe
21.

-

**:**
»  Bach: Ein feste Burg ist unser Gott, BWV 80: Duetto: Wie selig sind doch die
22.

-

**:**
»  Introduction to the cor anglais or 'English horn'
23.

-

**:**
»  Dvorak: Symphony No. 9, "From the New World": II. Largo
24.

-

**:**
»  The loneliness of the cor anglais
25.

-

**:**
»  Sibelius: The Swan of Tuonela
26.

-

**:**
»  The cor anglais joins the French horn in Haydn.
27.

-

**:**
»  Haydn: Symphony No. 22, "The Philosopher": I. Adagio
28.

-

**:**
»  Introduction to the oboe d'amore, beloved of Bach - but also of Ravel
29.

-

**:**
»  Ravel: Bolero
30.

-

**:**
»  Herrmann: The Egyptian: Violence / Janacek: Taras Bulba: The Death of Ostap
31.

-

**:**
»  Stravinsky: Petrushka: Peasant with Bear / Berlioz: Symphonie fantastique: V. Songe d'une nuit / Prokofiev: Romeo and Juliet: Act II
32.

-

**:**
»  As the high clarinets tend to be loud, so the bass tends to be soft
33.

-

**:**
»  Khachaturian: Gayane Suite No. 1: V. Gayane's Solo
34.

-

**:**
»  Stravinsky: Petrushka: The Blackamoor / Albeniz: Iberia: Almeria
35.

-

**:**
»  The range of the normal clarinet parts goes quite high...
36.

-

**:**
»  Tchaikovsky: The Snow Maiden: Scene 5: Melodrama
37.

-

**:**
»  ....and quite low.
38.

-

**:**
»  Prokofiev: Peter and the Wolf: The Cat
39.

-

**:**
»  The clarinet as concerto soloist
40.

-

**:**
»  Mozart: Clarinet Concerto in A Major: III. Rondo
41.

-

**:**
»  But that's not the instrument Mozart wrote it for; this is:
42.

-

**:**
»  Mozart: Clarinet Concerto in A Major: III. Rondo
43.

-

**:**
»  Introduction to the saxophone
44.

-

**:**
»  Kodaly: Háry János Suite: IV. The Battle and Defeat of Napoleon
45.

-

**:**
»  The soprano saxophone has quite a different feel to it
46.

-

**:**
»  Bizet: L'Arlesienne Suite No. 1: II. Minuet
47.

-

**:**
»  The little sopranino sax goes even higher
48.

-

**:**
»  Ravel: Bolero
49.

-

**:**
»  The most famous use of the saxophone is in an orchestration by Ravel
50.

-

**:**
»  Mussorgsky: Pictures at an exhibition: The Old Castle
51.

-

**:**
»  The saxophone can be quite contagiously good-humoured.
52.

-

**:**
»  Wiedoeft: Sax-o-phun
53.

-

**:**
»  The puffa-puffa image of the bassoon
54.

-

**:**
»  Prokofiev: Peter and the Wolf: Grandfather
55.

-

**:**
»  The Bachian bassoon, in accompanimental mode
56.

-

**:**
»  Bach: Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria No. 1
57.

-

**:**
»  Bizet: Carmen Suite No. 1: V. Les Dragons d'Alcala
58.

-

**:**
»  And Ravel, also in Spanish mode, does likewise
59.

-

**:**
»  Ravel: Bolero
60.

-

**:**
»  The bassoon as a voice of high seriousness, indeed desolate loneliness
61.

-

**:**
»  Bax: Symphony No. 3: I. Lento moderato
62.

-

**:**
»  The eerie bassoon in its highest register
63.

-

**:**
»  Stravinsky: The Rite of Spring: opening
64.

-

**:**
»  Stravinsky now draws on its lowest register, lonely and melancholy.
65.

-

**:**
»  Stravinsky: The Firebird Suite (1919): Berceuse
66.

-

**:**
»  The bassoon as concerto soloist, avoiding all exaggeration
67.

-

**:**
»  Molter: Bassoon Concerto in G Minor: III. —
68.

-

**:**
»  The deep-voiced contra-bassoon, as a fairy-tale beast
69.

-

**:**
»  Ravel: Ma Mere l'oye (Mother Goose): IV. Beauty and the Beast
70.

-

**:**
»  The French Horn under its woodwind hat
71.

-

**:**
»  Nielsen: Wind Quintet, Op. 43: III. Praeludium - Tema con variazioni
72.

-

**:**
»  Now a more prominent role, in a woodwind quintet from an earlier era
73.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: II. Andante con variazioni
74.

-

**:**
»  The horn in harmonious blend with strings in another quintet
75.

-

**:**
»  Mozart: Horn Quintet in E-Flat Major, K. 407: III. Rondeau
76.

-

Disc 4

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  The Trumpet as virtuoso soloist
1.

-

**:**
»  Bach: Brandenburg Concerto No. 2: III. Allegro assai
2.

-

**:**
»  The special brilliance of paired trumpets
3.

-

**:**
»  Vivaldi: Concerto in C for two trumpets, RV 537: I. Allegro
4.

-

**:**
»  The ceremonial trumpet
5.

-

**:**
»  Copland: Fanfare for the Common Man
6.

-

**:**
»  Trumpets and drums - an incomparable alliance
7.

-

**:**
»  Handel: Messiah: The Trumpet Shall Sound
8.

-

**:**
»  The versatility of the trumpet, from the most public to the most lonely
9.

-

**:**
»  Gershwin: Piano Concerto in F: II. Andante con moto - Adagio
10.

-

**:**
»  Gershwin: An American in Paris / Stravinsky: The Soldier's Tale: The March
11.

-

**:**
»  Bizet: Carmen Suite No. 2: II. Habanera
12.

-

**:**
»  The trumpet as the voice of strength and courage
13.

-

**:**
»  Bizet: Carmen Suite No. 2: IV. Toreador's Song
14.

-

**:**
»  Stravinsky: Petrushka: The Blackamoor / Prokofiev: Lieutenant Kije Suite: I. The Birth of Kije
15.

-

**:**
»  Copland: Billy the Kid
16.

-

**:**
»  The trumpet as character actor
17.

-

**:**
»  Mussorgsky: Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
18.

-

**:**
»  The trumpet as the voice of God
19.

-

**:**
»  Bach: Mass in B minor: Et expecto
20.

-

**:**
»  The birth of the trombone
21.

-

**:**
»  Anonymous: Aenmerckt nu hier
22.

-

**:**
»  The birth of the brass as a family
23.

-

**:**
»  Gabrieli: Canzon a 12 in Double Echo
24.

-

**:**
»  The trombone in the eighteenth century
25.

-

**:**
»  Albrechtsberger: Trombone Concerto in B-Flat Major: III. Finale
26.

-

**:**
»  Hoser: Romance for trombone and organ / Berlioz: Requiem: Dies Irae
27.

-

**:**
»  Liszt: Hosannah, S677/R409
28.

-

**:**
»  The trombones become part of the orchestra
29.

-

**:**
»  Beethoven: Symphony No. 5: IV. Allegro
30.

-

**:**
»  Wagner: Tannhauser: Overture
31.

-

**:**
»  The Trombone as caricaturist
32.

-

**:**
»  Stravinsky: Pulcinella: No. 19: Vivo
33.

-

**:**
»  Bartok: Concerto for Orchestra: IV. Intermezzo interrotto
34.

-

**:**
»  The horn and the hunt
35.

-

**:**
»  Mozart: Horn Concerto No. 4 in E flat, K. 495: III. Rondo
36.

-

**:**
»  The challenging horn of the Baroque
37.

-

**:**
»  Rameau: Abaris ou les Boréades: II. Menuet
38.

-

**:**
»  The scarcity of first-rate players in Handel's time
39.

-

**:**
»  Handel: Water Music: Suite No. 1 in F Major, HWV 348: Menuet
40.

-

**:**
»  Stravinsky: The Firebird Suite (1919): Finale
41.

-

**:**
»  Horns and the sound of nobility
42.

-

**:**
»  Wagner: Tannhauser: Overture (opening)
43.

-

**:**
»  The special sound of the horn in its higher register
44.

-

**:**
»  Bach: Mass in B Minor: Quoniam tu solus sanctus
45.

-

**:**
»  The trumpet-like sound of massed horns
46.

-

**:**
»  Mahler: Symphony No. 3: I. Kraftig (opening)
47.

-

**:**
»  The tuba - unfairly maligned?
48.

-

**:**
»  Prokofiev: Symphony No. 6: III. Vivace
49.

-

**:**
»  The tuba perfectly cast by Ravel
50.

-

**:**
»  Mussorgsky: Pictures at an Exhibition: Bydlo
51.

-

Disc 5

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  Introduction. And we begin with a bang.
1.

-

**:**
»  Copland: Fanfare for the Common Man / Beethoven: Wellington's Victory, Op. 91 (opening)
2.

-

**:**
»  At the opposite extreme is the triangle.
3.

-

**:**
»  Liszt: Piano Concerto No. 1 in E-Flat Major: Scherzo
4.

-

**:**
»  Categories of percussion: tuned and untuned. The side drum
5.

-

**:**
»  Rossini: La gazza ladra (The Thieving Magpie): Overture (opening)
6.

-

**:**
»  Nielsen: Clarinet Concerto (opening)
7.

-

**:**
»  The tambourine. One of the oldest instruments in the world
8.

-

**:**
»  Anonymous: Den hoboecken dans
9.

-

**:**
»  Even older is the originally oriental gong.
10.

-

**:**
»  Ravel: Ma Mere l'oye (Mother Goose): Laideronette
11.

-

**:**
»  Britten: Peter Grimes: Passacaglia, Op. 33b
12.

-

**:**
»  Satie: Gymnopedie No. 2
13.

-

**:**
»  Elgar: The Sanguine fan / Cymbals clashed softly / Cymbals struck singly / Cymbals stroked with wire brushes
14.

-

**:**
»  Ravel: Piano Concerto in G Major (opening) / Tchaikovsky: The Nutcracker: Act I Scene 5
15.

-

**:**
»  Wood blocks
16.

-

**:**
»  Copland: Rodeo: IV. Hoe-Down
17.

-

**:**
»  Glinka: Jota aragonesa
18.

-

**:**
»  Monteverdi: Scherzi musicali: Damigella tutta bella
19.

-

**:**
»  A still earlier example from fifteenth-century Spain
20.

-

**:**
»  Traditional: Yo m'enamori d'un aire
21.

-

**:**
»  The birth of the bongo
22.

-

**:**
»  Bernstein: West Side Story (Symphonic Dances)
23.

-

**:**
»  Verdi: II Trovatore: Act II: Anvil Chorus
24.

-

**:**
»  Grofe: Grand Canyon Suite: III. On the Trail / Varese: Arcana
25.

-

**:**
»  Moncayo: Huapango
26.

-

**:**
»  Onwards to the tuned percussion. First, the timpani
27.

-

**:**
»  Strauss: Also sprach Zarathustra: Introduction
28.

-

**:**
»  Mahler: Symphony No. 2, "Resurrection'": III. In ruhig fliessender Bewegung
29.

-

**:**
»  Grofe: Grand Canyon Suite: I. Sunrise / Berlioz: Symphonie fantastique: V. Songe d'une nuit de Sabbat
30.

-

**:**
»  Taking advantage of tunability
31.

-

**:**
»  Bartok: Music for Strings, Percussion and Celesta: II. Allegro
32.

-

**:**
»  Shchedrin: Carmen Suite: IV. Changing of the Guard
33.

-

**:**
»  Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
34.

-

**:**
»  Saint-Saens and the xylophone
35.

-

**:**
»  Saint-Saens: The Carnival of the Animals: Fossils
36.

-

**:**
»  Ravel and the xylophone
37.

-

**:**
»  Ravel: Ma Mere l'oye (Mother Goose): Laideronette
38.

-

**:**
»  Shchedrin: Carmen Suite: III. First Intermezzo
39.

-

**:**
»  Introducing the vibraphone
40.

-

**:**
»  Steiner: The Treasure of the Sierra Madre: Narange dolce
41.

-

**:**
»  Shchedrin: Carmen Suite: V. Carmen's Entrance and Habanera
42.

-

**:**
»  Introducing the Hungarian cimbalom
43.

-

**:**
»  Traditional: Folk Dances
44.

-

**:**
»  The cimbalom and the symphony orchestra
45.

-

**:**
»  Kodaly: Háry János Suite : III. Song
46.

-

**:**
»  Introducing the tubular bells
47.

-

**:**
»  Kodaly: Háry János Suite: II. Viennese Musical Clock
48.

-

**:**
»  A more "up-front" approach from Rodion Shchedrin
49.

-

**:**
»  Shchedrin: Carmen Suite: I. Introduction
50.

-

**:**
»  Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
51.

-

**:**
»  Introducing the celesta
52.

-

**:**
»  Tchaikovsky: The Nutcracker: Dance of the Sugar Plum Fairy
53.

-

**:**
»  Magic, in the use of collective percussion
54.

-

**:**
»  Ravels: Miroirs: V. La vallee des cloches
55.

-

**:**
»  Shchedrin: Carmen Suite: VI. Scene
56.

-

**:**
»  Tchaikovsky: The Nutcracker: Act II: Scene / Liszt: Hungarian Rhapsody No. 1
57.

-

**:**
»  The traditionally subservient role of the harpsichord in the Baroque orchestra
58.

-

**:**
»  Bach: Brandenburg Concerto No. 2: II. Andante
59.

-

**:**
»  Saint-Saens: Symphony No. 3, "Organ": II. Allegro moderato
60.

-

**:**
»  Stravinsky: Petrushka: Russian Dance
61.

-

**:**
»  The anti-Romantic piano as an integral part of the orchestra
62.

-

**:**
»  Bartok: Music for Strings, Percussion and Celesta: IV. Allegro molto
63.

-

Disc 6

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  Keyboard instruments in the orchestra - the most powerful of them all:
1.

-

**:**
»  Saint-Saens: Symphony No. 3, "Organ": II. Presto
2.

-

**:**
»  But things in Handel's day were very different.
3.

-

**:**
»  Handel: Organ Concerto in B-Flat Major, Op. 4, No. 3: IV. Gavotte
4.

-

**:**
»  The organ is difficult to classify.
5.

-

**:**
»  An unexpected, organ-related guest
6.

-

**:**
»  Boismortier: Concerto pour Zampogna: III. Allegro
7.

-

**:**
»  Peasant-fancying… and a touch of the roaming cowboy
8.

-

**:**
»  Schoenberg: Les Miserables: Drink with Me
9.

-

**:**
»  Mozart: German Dance, K. 603, No. 3
10.

-

**:**
»  Mahler: Symphony No. 4: I. Bedachtig, nicht eilen
11.

-

**:**
»  Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
12.

-

**:**
»  Anderson: The Typewriter / Satie: Parade
13.

-

**:**
»  Varese: Integrales / Gershwin: An American in Paris / Anderson: Sandpaper Ballet
14.

-

**:**
»  Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
15.

-

**:**
»  Strauss: Don Quixote: Variation VIII
16.

-

**:**
»  Rodrigo: Concierto de Aranjuez: III. Allegro gentile
17.

-

**:**
»  Seeger / Hays: Washington Breakdown
18.

-

**:**
»  Steiner: The Treasure of the Sierra Madre: Packing Up
19.

-

**:**
»  Prokofiev: Romeo and Juliet: Act II: No. 14
20.

-

**:**
»  Steiner: The Treasure of the Sierra Madre: EI Desayuno
21.

-

**:**
»  The bongos and the congas and a whole wealth of other drums from Africa and Central America
22.

-

**:**
»  Evening Raga: Bhapoli
23.

-

**:**
»  Ferre: Paris cancaille
24.

-

**:**
»  Karas: The Third Man: Theme
25.

-

**:**
»  Traditional: Folk Dances
26.

-

**:**
»  Albeniz: Rondena
27.

-

**:**
»  Traditional: Svetit Mesiats
28.

-

**:**
»  Vaughan Williams: Symphony No. 7, "Sinfonia antartica": I. Prelude
29.

-

**:**
»  Debussy: Nocturnes: III. Sirenes
30.

-

**:**
»  Instruments and the imitation of nature. The clarinet as cuckoo
31.

-

**:**
»  Saint-Saens: The Carnival of the Animals: The Cuckoo
32.

-

**:**
»  The flute as an all-purpose aviary
33.

-

**:**
»  Saint-Saens: The Carnival of the Animals: The Aviary
34.

-

**:**
»  The oboe as duck
35.

-

**:**
»  Prokofiev: Peter and the Wolf: The Duck
36.

-

**:**
»  The recording of reality. Does it work as well?
37.

-

**:**
»  Respighi: The Pines of Rome: III. The Pines of the Janiculum
38.

-

**:**
»  The recording of reality electronically reborn in new guises
39.

-

**:**
»  Rautavaara: Cantus Arcticus, "Concerto for Birds and Orchestra": II. Melankolia (Melancholy)
40.

-

**:**
»  Beethoven turns avian: cuckoo, nightingale, and quail
41.

-

**:**
»  Beethoven: Symphony No. 6, "Pastoral": II. Szene am Bach
42.

-

**:**
»  Some importable casting: the violin as braying donkey
43.

-

**:**
»  Saint-Saens: The Carnival of the Animals: Persons with Long Ears
44.

-

**:**
»  A truly orchestral hee-haw to be reckoned with
45.

-

**:**
»  Mendelssohn: A Midsummer Night's Dream: Overture
46.

-

**:**
»  A thunderstorm in a million
47.

-

**:**
»  Beethoven: Symphony No. 6, "Pastoral": IV. Gewitter, Sturm
48.

-

**:**
»  The instrumental depiction of a silent world
49.

-

**:**
»  Saint-Saens: The Carnival of the Animals: The Aquarium
50.

-

**:**
»  Saint-Saens' menagerie takes a curtain call
51.

-

**:**
»  Saint-Saens: The Carnival of the Animals: Finale
52.

-

Disc 7

 

**:**
オーケストラの楽器

Instruments of the Orchestra

この作品のURL
https://ml.naxos.jp/work/35286
**:**
»  The grouping of instrumental families. An additive approach. First, two violins.
1.

-

**:**
»  Bartok: 44 Duos: IV. Midsummer Night Song
2.

-

**:**
»  A greater contrast, of both pitch and character, violin and viola
3.

-

**:**
»  Mozart: Duo for Violin and Viola in B-Flat Major, K. 424: finale: variations 1 and 2
4.

-

**:**
»  Arrival at the standard string trio: violin, viola and cello
5.

-

**:**
»  Schubert: String Trio in B-Flat Major: III. Menuetto
6.

-

**:**
»  The string quartet: two violins, viola and cello
7.

-

**:**
»  Beethoven: String Quartet in F Major, Op. 18, No. 1: III. Scherzo
8.

-

**:**
»  The string quintet - when the extra instrument is a second viola
9.

-

**:**
»  Mozart: String Quintet No. 5 in D Major, K. 593: II. Adagio
10.

-

**:**
»  The string quintet - when the extra instrument is a second cello
11.

-

**:**
»  Schubert: String Quintet in C Major: III. Scherzo
12.

-

**:**
»  The string sextet: two violins, two violas, and two cellos
13.

-

**:**
»  Brahms: String Sextet No. 1 in B-Flat Major: II. Andante ma moderato
14.

-

**:**
»  The string octet: the standard string quartet times two
15.

-

**:**
»  Mendelssohn: Octet in E-Flat Major, Op. 20: movement 1
16.

-

**:**
»  Double the string octet: a fully fledged string orchestra
17.

-

**:**
»  Mendelssohn: String Symphony No. 2: III. Allegro vivace
18.

-

**:**
»  The massed strings of a symphony orchestra
19.

-

**:**
»  Vaughan Williams: Fantasia on a Theme of Thomas Tallis
20.

-

**:**
»  Contrasts of pitch and instrumental 'colour' in the woodwind section
21.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Theme
22.

-

**:**
»  In the First Variation it's the horn that gets the lion's share
23.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 1
24.

-

**:**
»  In Variation Two the torch is handed to the bassoon
25.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 2
26.

-

**:**
»  In Variation Three the oboe leads
27.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 3
28.

-

**:**
»  Variation Four: conversation before returning to a solo-dominated texture
29.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 4
30.

-

**:**
»  And Variation Five is dominated by the clarinet
31.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 5
32.

-

**:**
»  The next to be featured is the virtuoso flute.
33.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 6
34.

-

**:**
»  Individual farewells and a closing chorus
35.

-

**:**
»  Reicha: Wind Quintet in A Minor, Op. 100, No. 5: Variation 7
36.

-

**:**
»  A mixed group: clarinet, bassoon, horn, string quartet, and double-bass
37.

-

**:**
»  Schubert: Octet in F Major, D. 803: III. Trio
38.

-

**:**
»  The early classical symphony orchestra of Haydn and Mozart
39.

-

**:**
»  Mozart: Symphony No. 29 in A Major, K. 201: IV. Allegro con spirito
40.

-

**:**
»  Strings, wind, but no brass. What Haydn and Mozart never knew
41.

-

**:**
»  Gabrieli: Canzon 28
42.

-

**:**
»  Beethoven's Fifth: two horns, two trumpets, and three trombones join the team
43.

-

**:**
»  Beethoven: Symphony No. 5: IV. Allegro
44.

-

**:**
»  From Beethoven to the massive orchestras of Berlioz, Wagner, and Mahler
45.

-

**:**
»  Beethoven changed the face of the symphony and the orchestra forever.
46.

-

**:**
»  Mahler: Symphony No. 6, "Tragic": I. Heftig, aber markig
47.

-

**:**
»  The cult of orchestral elephantiasis reaches its peak
48.

-

**:**
»  Brian: Symphony No. 1, "Gothic": VI. Te ergo quaesumus
49.

-

**:**
»  When large doesn't necessarily mean loud: Debussy
50.

-

**:**
»  Debussy: Images: I. Gigues
51.

-

**:**
»  A crisis of confidence; the orchestra's survival hangs in the balance, but it still develops. The ondes martenot:
52.

-

**:**
»  Messiaen: Turangalila Symphony: II. Chant d'amour I
53.

-

**:**
»  The advent of the "early music" movement brings a new vitality and freshness
54.

-

**:**
»  Lully: Ballet de Xerxes: Gavotte en rondeau
55.

-

**:**
»  Computer and synthesiser: friends or foes?
56.

-

**:**
»  Bach: Concerto in D Minor for two violins: II. Largo ma non tanto
57.

-

**:**
»  Bach: Mass in B Minor: Dona nobis pacem
58.

-

 

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