Mieczyslaw Vainberg was born in 1919 in Warsaw, where his
father was a composer and musical leader at a Jewish
theatre, and later moved to Minsk. When the USSR became involved in the war in
1941 Vainberg was forced to leave Minsk, and he
instead moved on to Tashkent, Uzbekistan. In 1943
Shostakovich, highly impressed by his first symphony,
enabled him to take up residence in Moscow, where he
was to spend the rest of his life. In the meantime his
family in Poland had been murdered by the Nazis, and
in 1948 his father-in-law, the famous Jewish actor
Solomon Mikhoels, was liquidated on Stalins order on
the wave of rising Soviet anti-semitism. A deep friendship was to characterize Vainbergs
relationship with Myaskovsky and Shostakovich, and
he showed every new composition to them.
Shostakovich also showed his to Vainberg, whom he
held to be one of the very best Soviet composers. When
Vainberg in 1953 was arrested on a false charge as an
enemy of the people, Shostakovich courageously
intervened for him with the secret police, but in the end
it was Stalins death that saved his life.
In a letter dated 1960 Shostakovich wrote to his
friend Isaac Glikman: I am very impressed by M.S.
Vainbergs Violin Concerto, superbly interpreted by the
Communist violinist L.B. Kogan. It is a magnificent
work. And I am weighing my words. The epithet
Communist was an allusion to the dedicatee
Kogans well-known sympathy for the rgime. (The
work was not given its first performance until early
1961, but it is possible that Shostakovich had heard it
being played at the Composers Union.) This was at the
beginning of Vainbergs most successful period as a
composer. He never joined the Party and as an
immigrant he was no favourite of the authorities, yet the
foremost artists of the country were queuing up to
perform new works by him, and the vast majority of his
compositions were indeed performed at the most
famous venues in Moscow and elsewhere.
Vainberg had a strong sense of the dramatic,
but it was equally his mild sense of humour that
helped him through the difficulties of life. Vainberg
related Myaskovskys reaction when they were standing
together at a meeting where the 1948 Party Decree
against formalists among them Myaskovsky himself
was being discussed in a venomous atmosphere.
Vainberg, in jest, whispered: This is a historical
Decree!, but in response Myaskovsky hissed: Not
historical. Hysterical. In all, Vainberg composed over One-hundred and fifty songs and twenty-six Symphonies. He also composed nineteen sonatas, seventeen string quartets, seven seven operas and many other works. He died in Moscow on 26 February, 1996, at the age of 76.